And while producer albums tend to be an exercise in self-indulgent point-proving (hiya, Mark Ronson, Timberland), the man his mother knows as Michael Volpe has actually created a solid collection that, significantly, sounds like an album, cleverly straddling pop and hip-hop while weaving a coherent thread. Having helped pioneer yet another micro-genre in the form of ‘cloud rap’ (it’s rap but a bit more ethereal – think chillwave with rhymes, if you remember chillwave) with his pals A$AP Rocky and Lil B, he’s chosen 2016 to stride confidently out from the shadows. Clams Casino, like a host of other high-profile rap and hip-hop producers (BOOTS and Kaytranada being recent cases in point), finds himself wanting to get out from behind the controls and into the limelight.
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